Grizedale Arts

Blogs

Through these blogs we are trying to make the organization and our way of working more accessible.
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Tuesday 16 February '10
(from Grizedale Arts Blog)

A Perfect Excuse

Yeah%2C+well+it+was+less+stylish+than+this
Yeah, well it was less stylish than this

At the weekend I admonished a mountain biker who was urinating onto the wood stack I was in the process of moving, he explained that he thought it belonged to the National Trust.

He finally apologised and considered that that ended the matter, that no further discussion could be enterd into, (apology accepted or not). It seems to be a new fad to apologise quickly and then with the magic word 'the wrong is gone'. Politicians and public servants seem keen on the approach. So I would like to apologise in advance, I'm sorry', and that's an end of it.


Friday 12 February '10
(from Lawson Park Blog)

Wake Up

Feb. 2010 in the Kitchen Garden

Feb. 2010 in the Kitchen Garden

The last few days up here have been nice enough to get out into the garden for a few hours each day, almost the first time since the end of November, which if you remember was the monsoon-like predeccessor to the Siberian winter that followed. Our Kitchen Garden here is undergoing a few changes as we grow more and more vegetables in quantity in the Paddies down the track, and as we (veryreluctantly) give up on the asparagus that we planted in 2006, the first thing in the Kitchen Garden to go in. It's never thrived and - as a coastal plant - you can guess why up here in the wilds. So that bed will end up as Asian vegetables this year. Some ongoing drainage issues in the fruit bed have caused us to discard our summer raspberries in favour of just keeping the autumn ones, and the eBay chicken wire we used on the fruit cage has to be replaced asap before the birds get in there and eat the fruit buds.....


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Tuesday 2 February '10
(from The John Ruskin Memorial Blog)

Ruskin's Relational Aesthetics

Turn+your+screen+to+view+in+its+original+orientation
Turn your screen to view in its original orientation

I gave a lecture recently to some of the sudents at Chelsea School of Art. One of their number, the young master Robert Mead, was most enthused therein by such talk of Mr Ruskin's forebearance of all things discursive, relational and altermodern. He has since written in haste to share his essay Ruskin's Idea of Relation and it's Connection to Post Modern Painting, which I attach for any reader wishing to pursue this line of enquiry.

I would be tempted to say one might take his arguments as applicable to Tintorett as to Salle, but this is for another occasion and we must, in the first instance, take delight in this exhumation by youth so that that these thoughts may be possessed of the minds of the masses.


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