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Thanks to Lisa & Sally we have two Exmoor ponies on our
wildflower meadow, eating up all the old grass and flower stems
over the coming weeks.
Our meadow is too steep and wet to cut with machinery, and though we had a fair bit of fun strimming it en masse a few years ago, we managed to cut just about a third in 4 days! You soon realise that the 'wildest' bit of your garden could easily be the most high-maintenance if you do as the books say - which is generally one or two cuts a year with all the debris removed to minimise soil improvement (the enemy of the wildflower).
The Cumbria Wildlife Trust gave us some management advice recently which stated that occasional grazing could be an acceptable way of keeping the grasses in check, and as ours is a late-flowering meadow this is the time of year to do it.
Just got to remember to poop scoop regularly!
This week the exhibition Can Art Save Us? opened at the Millennium Galleries in Sheffield. The exhibition is part of a series of exhibitions on John Ruskin organised by the Museum, with historic works interspersed with contemporary articulations (as they say in art land) of Ruskin themes. We were asked to make a contribution to the show so turned up with a box of objects from Lawson Park and laid them on a table. (from their collections and designated by Ruskin as the ideal display table for displaying objects and artefacts). The idea is to show attempts of art, design and craft that attempt to have social or political ambitions. The list of objects is:
1. The Water Yeat tea urn and tea pot by Jeremy Deller and Alan Kane
2. A Bernard Leach mug
3. A Lakes pottery mug from Truro
4. A Whitefriars glass jug by Geoffrey Baxter
5. A Ruskin Pottery vase
6. A Robert Welch ice bucket
7. A Keswick School of Industrial Arts platter
8. Karen Guthrie and Nina Pope's Lilliput made Titschy Kitschy ornament of Lawson Park
9. A Blue Angel Bunny gift from the Guangzhou Triennial
10. Keith Murray Wedgewood mug
11. Dried food stuffs from Nanling China in Crochet packaging by Kai Oi Jay Yung
12. A Roadshow mug with Mark Titchner graphic
13. A George Cook Ambleside Pottery vase
14. A Ryan Gander version of a Joseph Albers Love Cup
15. An english made Japanese tea bowl
16. A Public Works display shelf from their Egremont Folk Float
17. An Ikea plastic cup
18. The aforementioned table
19. Adam Chodzko's re-upholstered Eric Lyons Tecta chair with Crass logo leather jacket seat pad
20. A Vanson Peter Hayward Chair re-upholstered with Laura Davies' Nanling fabric
21. An engraving of Turners' 'Meeting of the Waters' (from Sheffield Museums)
22. A Bunney drawing of Chamonix (from Sheffield Museums)
To explain this selection you have to view the key on a chipboard copy of the table (beautifully made by the Museum technicians and surely a future design classic) upon which we have hand written a subjective commentary on the exhibits in something approximating the blood red pen of Ruskin. Ruskinians might view this as too irreverent or even silly as one historic curator commented not so long ago, but I think you'll find Big John actually had a sense of humour. I come on surely he must have to appear in Desperate Romantics. Anyway the Guild of St George seemed to love it.
The exhibit forms the end of the show, which, I think I described to a visitor at the opening as a symphony spoilt at the end by a bum note from the Tuba.
Full versions of the texts will be available online soon.
Can Art Save Us? Runs until 31 January 2010 and we will be holding a related event in Sheffield in January, watch this site for details.
This was the title of a conference held at Lawson Park on October 7 by Situations Bristol and IXIA (a public art think tank mind gym) when we tested the new building to the max, crowbarring 40 guests and speakers into the space with the odd stroll outside to breathe in some air in between the exhalation of much art theory. Speakers included Paul Domela, Jeanne Van Heeswijk, Karlheinz Kopf, Andreas Lang and our good selves, all bundled up a packaged by Paul O'Neill.
Someone even said Lawson Park was 'the best seminar venue I have ever been too'.
If you are interested in the findings of the conference the answer was "sometimes, sometimes not, maybe".
John Byrne, head of fine art at Liverpool John Moores University paid us a visit to Lawson Park on Friday to start work in earnest on this very blog and to discuss the range of projects that will evolve into the Force of Culture project, to rethink Ruskin as a prescient force in postmodern and postpostmodern culture.
The next day, with my head full of Ruskin related thoughts, I saw an image in the paper from the Chanel ready-to-wear Spring-Summer show in Paris, in which Karl Largerfeld (crafted I'm sure by his own leather gloved hands) presented his collection in a copy of a barn from Marie Antoinette's ferme ornee at Versailles. Including Lily Allen performing a hoe down, whilst the models got down in the hay. I showed the video - see for yourself at http://www.chanel.com/fashion/7#7-ready-to-wear-spring-summer-2010-show-chanel-fashion-show-14,7 - to our resident Dutch artist/agriculturalist Wapke Feenstra, who commented that a true farmer should surely not view such underfed cattle as attractive.
I have to say I found the image quite spectacular and surely the apogee of all current and accumulated complexities around demodernisation, pastoralism and suburban organic fetishism. This must be what Ruskin intended.
Karl had this to say
"I'm from the country, darling. I hear all this talk about organic farming and the environment, and I'm all for it. But there must be a certain sophistication, so it's not used as an excuse to let things go to seed. We had little pigs that we were going to bring onto the catwalk, but they were so smelly we didn't dare to let them out"
Only a farm boy could try so hard to get away from the mud
Saturday 19 September 2009 1120hrs: Adam Kane becomes the first winner of The Greasy Pole competition since its re-introduction to Egremont's annual Crab Fair as permanent work of art/heritage artifact/sporting apparatus by artists Jeremy Deller and Alan Kane. Adam actually conquered the Pole twice, being the first up to retrieve one of the six ribbons from 30ft above and then some 10 minutes later to snatch the shortest ribbon to claim the coveted prize of £2 and a leg of lamb from Wilson's butchers. That's Wilson's butchers. The ease at which the young urchinesque Egremonthian shot up the new Carbon Fibre Nike Greasy Pole Pro suggested we should baste more WD40 on next year, although most barely managed to lift their feet from the floor.
Here's an image of the skeletal house/garden/kitchen advertising for rules that work fro communal living, any suggestions send them to email@example.com or to Grizedale firstname.lastname@example.org
On the evening of 8th October Grizedale will take part in a comedy night at Eastside - alongside juneau/projects and Bedwyr Williams (who they) and will be accepting applications for residencies, these will be read out and lampooned, all in the name of cheap laughs. Send your proposals to email@example.com or to Gavin at the above. We really are looking for residencies and this is as likely a way as any to find the right people for the special conditions.
Eastside will I believe be showing the comedy classic 'Starry Starry Night' featuring Van Gogh back to life entirly unreconstructed and hanging out in LA - if you havent seen it it's a must see before you make another art work.
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